Books published by publisher NYR Children's Collection

Day in and day out the dutiful mousewife works alongside her mousehusband in the house of Miss Barbara Wilkinson. It is a nice house and the mousewife is for the most part happy collecting crumbs and preparing a nest for her future mouse-babies—yet she yearns for something more. But what? Her husband, for one, can’t imagine. “I think about cheese,” he advises her. “Why don’t you think about cheese?”Then an odd and exotic new creature, a turtledove, is brought into the house and placed in a gilded cage. A friendship develops as the dove tells the mousewife about things no house mouse has ever imagined, blue skies, tumbling clouds, tall trees, and far horizons, the memory of which haunt the dove in her captivity. The dove’s tales fill the mousewife with wonder and inspire her to take daring action.Rumer Godden’s lovely fable about unexpected friendship and bittersweet love was inspired by a story Dorothy Wordsworth wrote for her brother, William, and is accompanied by stunning pen-and-ink drawings by William Pène du Bois.

It all began on a lavender blue day—the kind of day when anything can happen. It was on such a day that Anna Lavinia’s father saw a double rainbow and went chasing after it. And it is on such a day that she and her cat, Strawberry, set off on their journey beyond the walled garden where the pawpaw trees grow, to a place where the buttercups bloom pink and the laws of gravity don’t always apply. Here Anna Lavinia will test her mother’s advice “Never believe what you see,” against her father’s wise words “Believe only what you see,” and just maybe she’ll finally be able to use the mysterious silver key her father left behind when he went chasing after rainbows.Beyond the Pawpaw Trees is a tour through a land as strange and wonderful as Oz, filled with people as delightfully batty as any in Alice’s looking glass. It is a place to return to again and again, beautifully brought to life in Palmer Brown’s fanciful words and intricate, sugar-spun drawings.

In this spectacular follow-up to their beloved Book of Norse Myths, the husband-and-wife team of Ingri and Edgar Parin d’Aulaire explore the uncanny reaches of Norse mythology, an enchanted night-world populated by trolls of all kinds—mountain trolls, forest trolls, trolls who live underwater and trolls who live under bridges, uncouth, unkempt, unbreakable, unforgettable, and invariably unbelievably ugly trolls—who work their wiles and carry on in the most bizarre and entertaining fashions. With their matchless talent as storytellers and illustrators, the d’Aulaires bring to life the weird and wonderful world of Norse mythology.

What can words be, or rather, what can’t they be? Poet Alastair Reid introduces children and adults to the wondrous waywardness of words in Ounce Dice Trice, a delicious confection and a wildly unexpected exploration of sound and sense and nonsense that is like nothing else. Reid offers light words (willow, whirr, spinnaker) and heavy words (galoshes, mugwump, crumb), words on the move and odd words, words that read both ways and words that read the wrong way around (rezagrats), along with much else. Accompanied by Ben Shahn’s glorious drawings, Ounce Dice Trice is a book of endless delights, not to mention the only place where you can find the answer to the question: What is a gongoozler? Well, all I can say is quoz.

Who but Russell Hoban could weave a tale of life’s pleasures and pain around a candy pig? And who but Quentin Blake could make the most poignant of stories so lighthearted and delightful? In this episodic picture book by an inimitable author-illustrator duo, a fantastic chain of events is triggered by the unacknowledged fall of a marzipan pig behind the sofa. We meet in quick succession a heartsick mouse, a lonely grandfather clock, an owl in love with a taxi meter, a worker bee, a fading hibiscus flower, a mouse who greets the dawn dancing, and finally a boy who guesses at the true relations between things. Appealing to the unsentimental yet sensitive nature of children, The Marzipan Pig is exquisitely attuned to the bittersweet wonder of life and to the sentience of all beings.

Max the dog-poet is back, this time in Paris and falling in love, in Maira Kalman's delightful picture book.It's happened. Before you can say "Pepe le Pew," Max the millionaire poet dog has landed in Paris, the city of lights. The city of dreams. Everyone is in a froufrou of delight over Max. There's Fritz from the Ritz, Madame Camembert, Charlotte Russe, and Pierre Potpurri, who wants Max to perform in his Crazy Wolf Nightclub. Amidst the enchantment and beauty that is Paris in the spring, something is missing for Max. Max has made his millions; when will he find romance?

In The Little Bookroom, Eleanor Farjeon mischievously tilts our workaday world to reveal its wonders and follies. Her selection of her favorite stories describes powerful—and sometimes exceedingly silly—monarchs, and commoners who are every bit their match; musicians and dancers who live for aft rather than earthly reward; and a goldfish who wishes to "marry the Moon, surpass the Sun, and possess the World."

By Caldecott Medal winners Alvin Tresselt and Roger Duvoisin, The Frog in the Well is the charming tale of a brave frog who beats his fears and explores the worldOnce upon a time there was a frog who lived at the bottom of a well. The well was the frog’s whole world, until the day the well ran dry and the bugs began to disappear. What was happening to the world, the frog wondered, and what could he do? The hungry frog decided he must hop to the top of the well to see what he could of the end of the world. Conquering his fear, he peered out, and what did he see? Trees, flowers, meadows, marshes, and all kinds of end-of-the-world creatures! Entranced, the little frog ventured forth to find out more about the world outside his own. Based on a classic Chinese fable, and written and illustrated by the Caldecott-winning Alvin Tresselt and Roger Duvoisin, The Frog in the Well is a charming tale of one brave frog and his journey into wisdom.

An emergency meeting of the Mortimer Square Garden Committee has been convened to discuss a most alarming matter: Someone has been digging in the garden and making off with buckets of dirt. Miss Angela Chesney is sure that a gang of boys from run-down Catford Street is to blame. But Angela’s sister, Olivia, isn’t so sure. Olivia has always wondered why the neighborhood children—the “sparrows” she sometimes watches from the window of her house—are kept out of the private garden. Don’t they have a right to enjoy the place, too? But neither Angela nor Olivia has any idea what sent the neighborhood waif Lovejoy Mason and her few friends in search of good, rich earth. Still less do they imagine where their investigation of the incident will lead them—to a struggling restaurant, a bombed-out church, and at the heart of it all, a hidden garden.

Miss Bianca is a white mouse of great beauty and supreme self-confidence, who, courtesy of her excellent young friend, the ambassador’s son, resides luxuriously in a porcelain pagoda painted with violets, primroses, and lilies of the valley. Miss Bianca would seem to be a pampered creature, and not, you would suppose, the mouse to dispatch on an especially challenging and extraordinarily perilous mission. However, it is precisely Miss Bianca that the Prisoners’ Aid Society picks for the job of rescuing a Norwegian poet imprisoned in the legendarily dreadful Black Castle (we all know, don’t we, that mice are the friends of prisoners, tending to their needs in dungeons and oubliettes everywhere). Miss Bianca, after all, is a poet too, and in any case she is due to travel any day now by diplomatic pouch to Norway. There Miss Bianca will be able to enlist one Nils, known to be the bravest mouse in the land, in a desperate and daring endeavor that will take them, along with their trusty companion Bernard, across turbulent seas and over the paws and under the maws of cats into one of the darkest places known to man or mouse. It will take everything they’ve got and a good deal more to escape with their own lives, not to mention the poet.Margery Sharp’s classic tale of pluck, luck, and derring-do is amply and beautifully illustrated by the great Garth Williams.

The Robber Hotzenplotz is a merry tale of two scoundrels, two friends, a toad-fairy, and an unforgettable escapade. The Robber Hotzenplotz works hard at his job, waking early to hide in the woods and waylay new victims. One morning Kasperl’s grandmother is sitting in the sun outside her house, grinding coffee in her new musical coffee mill—a birthday gift from Kasperl and his best friend Seppel—when suddenly Hotzenplotz, attracted by the music, leaps out to steal the mill. Sergeant Dimplemoser hears Grandmother’s cries and comes to her aid, but Hotzenplotz has evaded the useless police for years. So Kasperl and Seppel vow to catch the robber themselves. But catching robbers is not as easy as all that ... Kasperl and Seppel soon discover that even the best-laid plans can be foiled, especially when Hotzenplotz enlists the help of his wicked magician friend Petrosilius Zackleman, a gluttonous villain with a weakness for fried potatoes.

A time-travel story that is both a poignant exploration of human identity and an absorbing tale of suspense.It's natural to feel a little out of place when you're the new girl, but when Charlotte Makepeace wakes up after her first night at boarding school, she's baffled: everyone thinks she's a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months to follow, Charlotte wakes alternately in her own time and in Clare's. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she's slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn't figure out some way to get back to the world she knows before the end of the term, she might never have another chance.